Lianna 19833/14/2021
The people who know them behave very diffently: her husband with feelings of sexual betrayal, her children with curiosity and Liannas friends with ambivalence.If you are not a registered user please send us an email to infofilmaffinity.com.
![]() Lianna 1983 Movie Lovers ClubWe are an independent movie lovers club worldwide with 646.000 users 133.000.000 ratings.Not related to any Media or Corporation.All Rights Reserved Movie Soulmates is a Registered Trademark. Though not one of Sayles best efforts, this indie about a lesbian coming out is well acted. She has an affair with another woman, Ruth (Jane Halleran), and when her affair becomes common knowledge, she finds herself shunned by both her friends and family. Released shortly after a handful of films touching upon homosexual relationships (MAKING LOVE, PERSONAL BEST), LIANNA is a realistic depiction of a lesbian relationship that does not succumb to typical Hollywood formulas. Director John Sayles traces the consequences of divorce and the constrictions of womens possibilities with an unsentimental eye, showing that freedom often comes with a heavy price. Although many people were skeptical about a man helming a film about lesbians, Sayles does an admirable job creating a movie that no studio wanted to touch, on a budget that very few directors could live within. Later in his film career, he would continue to explore topics considered outside his range of experience, including life in Harlem (BROTHER FROM ANOTHER PLANET) and the terrors of a war-torn Third World country (MEN WITH GUNS). In John Sayless LIANNA, a young faculty wife, bored with her life and angered at her husbands infidelity, has an affair with another woman. When her friends and family find out, she discovers she has no support. I think it did help setting it in the East where youre always going to run into these people at the AP and there is not this huge beach to go walk on where you can get away from people. You feel like there is a little less acceptance of anything goes in a campus on the East Coast in New Jersey than there is in Santa Cruz where some of the biggest radicals in both lifestyle and politics have taught in the past, Sayles explained in an interview with American Cinematographer. The films investors included about 30 nontraditional investors--people who had never put money into a film before. Sayles used some of the money from that project to finance LIANNA. Sayles based the characters on couples he knew who were undergoing custody battles and women who were coming out as lesbians.
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